Adam Young (
perfectlyhuman) wrote in
capencowl20202020-01-26 10:00 pm
Entry tags:
[open] Teenage anarchist looking for revolution
WHO: Adam Young and YOU
WHERE: All over the city
WHEN: During the event
WHAT: Just an angryantichristteenager trying to help wherever he can
WARNINGS: N/A for now
[ OOC note: Using the same icons, but Adam is 17 during this event.]
i. SAFEHOUSE
When not out and about, be it handing out flyers and hiding them in plain sight, making life difficult for government agents, helping out metahumans in need, or simply indulging in the defiant act of wandering around wherever he damn well pleases, Adam Young can easily be found in resistance safehouses, along with Dog.
Everyone needs a breather, once in a while. He's particularly fond of finding a semi secluded space and write away in one of his many messy notebooks, anything from entirely fictional stories with a strong sense of morality and social justice, or articles he often submits to Georgia's zine or simply posts onto the network under whatever pseudonyms he can find before his accounts are shut down. Sometimes he even breaks away from the frustrating state of the world to just write something about space and dinosaurs and cowboys fighting aliens. Everyone needs a break, and everyone needs their own source of entertainment.
Aside from that, he does his best to bring in supplies as he can. Granted his powers make it a lot easier than it might be to some, but even he has to take it easy at times. You never know who's watching. Even the safehouses aren't always safe, though he's almost always the last to leave when something does happen.
Despite how quiet he can be, how often his head is up in the clouds, and how much he puts in his time being angry at the world out there, he's not unapproachable. In fact, there's a lot that's gentle to him, and he will often approach those who might look like they're having a rough time, or just need a chat. Or maybe he just needs another set of eyes on his new article or story. Either way, all are welcome, as far as he's concerned.
Also, Dog's there, if you like dogs. He's nice.
ii. TRANSPORT
This doesn't always work. Sometimes, things can go very, very wrong. But he's not really about inaction.
As another group of metahumans are being transported to their reprogramming, Adam watches the vehicle approach their spot right on cue. Lately, there's been a surge of new metahumans coming in, and it looks like the authorities are having some trouble keeping up with the influx. Which means that there's a lot more holes in security to exploit. While he can't seem to affect the cars themselves, there's many a thing that can be done to make sure they don't reach their destination with all of their cargo. And Adam has a lot of tools at his disposal.
He looks at the resistance member accompanying him on this particular mission, as the van gets closer to the mark.
"Ready?"
iii. PAMPHLETMAGGEDON
Pamphlets, the mild nuisance of living in a busy city. Or, in this case, paper prints of thinly veiled calls to arms, exposing the injustices brought forth by the fascist regime propagated by a government onto people that didn't even have a choice to come here and exist as they are in the first place. You know, when you look past the bright colors and wait for a second.
He's found that handing them to people doesn't often work, and comes with a large number of risks, so he's opted for more...radical methods.
Pamphlets inside of other, unrelated pamphlets.
Pamphlets inside restaurant menus.
Pamphlets falling out of the newspaper you're reading, when you're absolutely sure there was none in there before.
In your car.
In your book or in your bag.
It's not the most effective manner, but people are going to see them. And that's all that matters.
iv. TROUBLE
He's just a young boy walking his dog, officer. So what if it's late? When you gotta go, you gotta go.
What? Something about the car? He wouldn't know anything about that. Changed in color? Borderline offensive messaging down the side, that seems to be part of the new decor instead of being painted on? Now, what would that have to do with him?
Ignore the dog, he's just a little bit wary of strangers. Naw, his bark is bigger than his bite. It's alright.
What's that noise over there?
Perhaps he should have planned just exactly where he was going to appear next. Wanting to just get out of the situation, the young man quickly picks up his dog and teleports to a random location out of sight.
Hope you weren't doing anything embarrassing or risky. Or holding any hot drinks.
v. WILDCARD
Make up your own prompt as you wish. Does your character need help? Are they trying to capture another rogue metahuman? Do they want to pet the cute dog? Go wild.
If you wanna discuss any plottings, you can contact me at
skree.
WHERE: All over the city
WHEN: During the event
WHAT: Just an angry
WARNINGS: N/A for now
[ OOC note: Using the same icons, but Adam is 17 during this event.]
i. SAFEHOUSE
When not out and about, be it handing out flyers and hiding them in plain sight, making life difficult for government agents, helping out metahumans in need, or simply indulging in the defiant act of wandering around wherever he damn well pleases, Adam Young can easily be found in resistance safehouses, along with Dog.
Everyone needs a breather, once in a while. He's particularly fond of finding a semi secluded space and write away in one of his many messy notebooks, anything from entirely fictional stories with a strong sense of morality and social justice, or articles he often submits to Georgia's zine or simply posts onto the network under whatever pseudonyms he can find before his accounts are shut down. Sometimes he even breaks away from the frustrating state of the world to just write something about space and dinosaurs and cowboys fighting aliens. Everyone needs a break, and everyone needs their own source of entertainment.
Aside from that, he does his best to bring in supplies as he can. Granted his powers make it a lot easier than it might be to some, but even he has to take it easy at times. You never know who's watching. Even the safehouses aren't always safe, though he's almost always the last to leave when something does happen.
Despite how quiet he can be, how often his head is up in the clouds, and how much he puts in his time being angry at the world out there, he's not unapproachable. In fact, there's a lot that's gentle to him, and he will often approach those who might look like they're having a rough time, or just need a chat. Or maybe he just needs another set of eyes on his new article or story. Either way, all are welcome, as far as he's concerned.
Also, Dog's there, if you like dogs. He's nice.
ii. TRANSPORT
This doesn't always work. Sometimes, things can go very, very wrong. But he's not really about inaction.
As another group of metahumans are being transported to their reprogramming, Adam watches the vehicle approach their spot right on cue. Lately, there's been a surge of new metahumans coming in, and it looks like the authorities are having some trouble keeping up with the influx. Which means that there's a lot more holes in security to exploit. While he can't seem to affect the cars themselves, there's many a thing that can be done to make sure they don't reach their destination with all of their cargo. And Adam has a lot of tools at his disposal.
He looks at the resistance member accompanying him on this particular mission, as the van gets closer to the mark.
"Ready?"
iii. PAMPHLETMAGGEDON
Pamphlets, the mild nuisance of living in a busy city. Or, in this case, paper prints of thinly veiled calls to arms, exposing the injustices brought forth by the fascist regime propagated by a government onto people that didn't even have a choice to come here and exist as they are in the first place. You know, when you look past the bright colors and wait for a second.
He's found that handing them to people doesn't often work, and comes with a large number of risks, so he's opted for more...radical methods.
Pamphlets inside of other, unrelated pamphlets.
Pamphlets inside restaurant menus.
Pamphlets falling out of the newspaper you're reading, when you're absolutely sure there was none in there before.
In your car.
In your book or in your bag.
It's not the most effective manner, but people are going to see them. And that's all that matters.
iv. TROUBLE
He's just a young boy walking his dog, officer. So what if it's late? When you gotta go, you gotta go.
What? Something about the car? He wouldn't know anything about that. Changed in color? Borderline offensive messaging down the side, that seems to be part of the new decor instead of being painted on? Now, what would that have to do with him?
Ignore the dog, he's just a little bit wary of strangers. Naw, his bark is bigger than his bite. It's alright.
What's that noise over there?
Perhaps he should have planned just exactly where he was going to appear next. Wanting to just get out of the situation, the young man quickly picks up his dog and teleports to a random location out of sight.
Hope you weren't doing anything embarrassing or risky. Or holding any hot drinks.
v. WILDCARD
Make up your own prompt as you wish. Does your character need help? Are they trying to capture another rogue metahuman? Do they want to pet the cute dog? Go wild.
If you wanna discuss any plottings, you can contact me at

i.
He does still need to stretch his legs every so often, though, which is how he comes across Adam, returning from a supply run outside. His form looms in the hallway, head ducked so as not to hit the ceiling. ]
Ho, Adam. How's the outside today?
Re: i.
Dog trots ahead of Adam, idly sniffing in Bean's direction, as the teen makes sure the doors are locked behind him. ]
Hey, Bean. [ All clear. He brings a couple of bags with him, his backpack and a messenger bag, seemingly rather heavy. Stepping deeper inside, he looks for a place to set them down.]
Lots of 'em out there. They're still figuring out what to do with all the new metas.
Re: i.
[ Bean slowly bends his lanky form down to give Dog a pat on the head, before straightening back up to his full height again. He's slow moving, because if he stood up too fast he might get dizzy and fall over. ]
What'd you bring in this time? [ Gesturing to the bags. ]
Re: i.
With some shuffling, Adam pulls along the heavy bags towards the general mess room. ]
Hum, food. Bathroom stuff. Books. Tried to get through the lists, but had to get out quick. Too much surveillance around.
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All useful. Better to have it than not. Good work.
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i
Her eyes widen when she turns the page and finds one of his stories. She reads fast; she's already a few paragraphs into the cowboy/space cops team up, sweet and silly and ferociously hopeful, when she looks up at Adam with her eyebrows arched, a smile just barely tugging at her lips.
"I think you mixed up the papers." He doesn't tend to share these with her.
Re: i
He's sat across the table, slouching, elbow on the table, poured over another notebook and idly tapping his pen on the page, stopping only as she speaks, eyes looking up toward her behind a mess of wild blonde curls.
"What?" He straightens up slightly, looking at the papers in her hand.
no subject
As she hands him the stack, "Unless I missed an influx of cowboys and space cops..." She delivers the joke with a flat tone and a straight face, like she usually does.
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Adam blinks, thoughts catching up, before he reaches over and takes the papers back, giving them a once-over. He curses quietly under his breath, pulling backpack up from the floor and looking through what is a veritable mess of slightly damaged loose papers and a couple of worn notebooks. No better system than the just-shove-it-all-in-the-bag-and-hope-for-the-best one.Β
"Here." He hands her a different set of papers, equally as bent and messy as the previous ones, but the writing is a lot more feverish, as if he had written it in a hurry, or while quite irritated. Lots of parts scratched out, and notes in the margins.Β
"Sorry. Guess I got them missed up."Β
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iii. pamphletmageddon
One of the things about watching Adam actually grow up over the years is accepting that he's not just a little kid anymore — in some ways, he never was — and that he's a full-fledged member of the resistance too. Compared to other adults, Anathema accepted it fairly quickly; she still feels protective over him, but now the tables have turned. There's been times he's had to protect her.
Like now: she has to rely on the good old-fashioned hand-to-hand method of handing out flyers, flashing a smile to strangers, a piece of paper with an encrypted URL on it that'll take them to Georgia's zine. Sometimes she uses a little gust of wind to send a paper fluttering down the street and into someone's face, but strangers are less likely to just crumple them up and throw them in the trash if a pretty young witch hands it to them directly.
But this, of course, means that the enforcers can see her doing it.
Anathema's on the same street block as Adam, just about to turn and try to dissolve back into the crowd when she's spotted — but before she can get away, the meta enforcer catches her wrist in an iron grip, and she yelps.
Re: iii. pamphletmageddon
Anathema was the only person he'd known since before any of this. Since before this world. They'd had a strong bond before, and that only grew, and she was one of the people Adam held closest to his heart. That, of course, meant that he'd always keep an eye out for her. Friends help friends. Friends keep each other safe.
He's looking through a coffee shop window, seemingly looking at the treats on display when in fact he was finding spots where the pamphlets could subtly pop up, when he hears her yelp. So does Dog. Looking in that direction, he immediately recognizes the voice, steps turning quicker as he peers out toward the scene over the heads of some of the people in the crowd.
"Hey--" He pushes through the crowd, Dog trying to keep up behind him. "Hey!"
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But then, in the distance: Adam's voice. She hears it through the crowd; either louder than the rest of the surrounding noise, or she just perceives it that way. He's always been bigger and brighter than everyone else, his aura blinding whenever she chooses to concentrate on it.
Rather than panicking further at her capture, Anathema actually relaxes into the man's grasp. Help is coming.
"It's just a web address, it's harmless," she says, managing to turn a winsome smile up at him (that doesn't work, either), just as she sees a familiar head of tousled hair draw nearer.
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Still, in situations like this, he canβt be reckless. He canβt simply barrel through or pull someone, risk their safety as well as his. Sure, he could make the enforcer disappear, but then heβd blow his spot, and call for attention. Could get both of them caught. So he stands nearby, somewhere where Anathema can see him clearly, somewhere where their eyes can meet.
He thinks, tries to come up with something. And the enforcerβs communication device springs to life, with urgent messages of a growing protest many blocks down. The message is fuzzy, though, static and loud noises in the background making the voice nearly impossible to be fully understood. There is a struggle, and they need backup.
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Not worth it. So his grip finally loosens, as he warns one last time, "Stop distributing them."
"Yessir, officer sir," Anathema says, chipper as daylight, and then squirms loose and hurries to the other side of the street. She waits, watching for the uniformed local to get out-of-sight, before she heads over to her friend.
"Thank you, Adam. Impeccable timing as ever."
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wrap?
IV
It was so much bigger then two gangs. And Aziraphale and Crowley had taken his side - no they'd facilitated this. That hurt - he could acknowledge that now he was far enough removed from the situation. It hurt that Aziraphale had betrayed his people, betrayed him like that.
It was after he tried and failed to kill Aziraphale that he had ended up here, and worked towards his redemption. That was where he was now. So close to something powerful and accomplishing something she had to find pleasing. Despite the boy.
The boy was here. In the city. He had lost track of him but without the...beings who had adopted him he figured the boy would be easier to catch but then...there had been Lilith and he had been preoccupied with her and their plan and...
It is perhaps pure accident. He's staying in the city for work, out and away from his garden and his estate - and despite the guards on the door he's dressed in a pair of pink and gray pajamas reading the paper when a boy and a dog appear.
It's so incredulous he drops the paper and stares at him in shock because it's been years.]
...Antichrist?
Re: IV
He appears without any sound, any change. Just a tall teenager in a hoodie covering his wild blonde hair, a backpack on his back, and a small dog in his arms. He giving the room a confused look, brow furrowed, taking in the strange fancy decor before a horribly familiar voice speaks behind him, and he whirls around.
The look on his face would be funny, both of theirs would, if this hadn't been the absolute bloody worst place for him to pop up in. ]
...no?
[ An attempt he knows will mean nothing, since there's more to them both than simply two people looking at each other. He turns and takes a step back, holding Dog close. Dog growls uneasily. ]
Nice pajamas.
Re: IV
Any way Adam attempts to move will be blocked by the lightning curling from his fingers as a smell of storm fills the air.]
Thanks. I bought them. I had to buy them since I can't miracle anything here since you fucking stranded me.
Re: IV
For a moment there, he gives Gabriel a strange look - similar to the one he'll be giving him when this is all over - not entirely understanding what the archangel just said. After all this time, of course, in a seemingly random evening like this, he couldn't really guess that the archangel would still be on this whole thing. ]
I--...what?
What are you on about?
Re: IV
[He braces himself and lightning courses through his hand as he places it behind him.]
And me. But if you hadn't decided not to end the planet everything would be fine. Ergo.
Your.
Fault.
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i
there's still one thing in hand as she finds adam, note quite able to see what's in his notebook from the angle of it )
What is it today?
( she's seen a few of his things before which may lead into what she has in her hands. pencils )
Re: i
Lilith. [ Soft spoken as ever, he's genuinely happy to see her. It's always good to find her in these spaces, rare as these moments can be.
He glances down at the notebook. ]
Stories today. Space colony brings dinosaurs back to life so they can raise them on a different planet, but they're smarter than the space travelers think. Still figuring out where to add the underwater society.
Are you staying long?
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( lilith wishes that she could be, the resistance were people that she could appreciate the company of far more than her husband, than the political assholes surrounding her life but-- she had a cover to maintain and if she were out of reach for too long it would be harder to explain )
I came to drop off supplies but perhaps-- I can stay long enough for you to tell me where this colony is from?
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He leafs through his notebook. ]
Still trying to come up with a name. They were supposed to find life on other planets, but they got tired of it so they secretly started making it instead. So they made space dinosaurs. But the planet they landed on wasn't empty.
[ He sets the book down with a upward huff that blows his messy curls away from his eyes for a second. ]
Been hard to find time to work on it.
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Well-- sometimes a drawing can shake out information.
( and she offers the colouring pencils towards him. he'd still need to find time but images could give so many worlds )
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